Friday 1 December 2017

43.READING & BOOKS


43.READING & BOOKS


Image credit:greatbooksacademy.org

Reading maketh a man!

Reading good books is the chief pleasure of cultivated minds. It is indeed  the prime mark of a civilized man.




"Reading maketh a full man; conference a ready man; and writing an exact man", said Francis Bacon.

 Reading good books connects us with the great minds of the world.It brings us in touch with our own selves. All other forms of entertainment lead us away from our core selves- make the mind flow out into phenomena of the outer world. A great book touches our inner core. It leads us into ourselves. It opens up an inner world of thoughts and reflection.

What are great books?
.
It is as difficult to define a good or great book,as it is to define a cow.  We can understand it only  when we have read a lot. It is here we are guided by the experience and knowledge of responsible elders. Every society and its institutions have valued certain books as expressing best  the foundations of their culture and civilization. In the West, this is spoken of as the Western Canon, or the  Great Books of the Western World. These are essentially books that have stood the test of time, untouched by the modern 'bestseller' fad.

An educated person was expected to  have a broad idea of the basic features of his own cultural traditions.Educational systems and arrangements were designed to serve this purpose.Great books aided this task. But education is now equated with institutional schooling/university studies which have their own agenda and logic. Their main characteristic is rising, narrow specialisation of academic disciplines.They are designed to lead to a job or career. A product of such academic circus is unlikely to know much, if anything, beyond his own narrow field. This trend was noticed  in the US even in the 20s of the last century. It has only spread and strengthened since then.

Great Books program



Some educators in the US compiled lists of books considered great. Mortimer Adler compiled a list of over 500 books. There are other lists containing 100 or 150 books. 
Right: Dr.Mortimer Adler.
Photo from:consilientinterest.com

Adler gave three criteria to judge a book as great:
- it should be such as can be read repeatedly
- it should have relevance to contemporary problems
-it should reflect the interests and concerns of a large number of the thinking minds of the past centuries.
Based on these, they developed Great Books Program as a curriculum to be taught in the universities.




According to Wikipedia,  over 100 institutions in the US, Canada and Europe still run such a program as an academic option. However most big universities do not have  a regular program, though they teach courses in 'humanities' under which head literature and philosophy are now included.But these do not necessarily cover the great books.

The Classics



Cover of a book by Louise Cowas and Os Guinness. Baker Books.1998

The Western academic circles were , in the past, proud of their"classics"- bedrock of books providing their basic ideas: the Greek epics ,Greco-Roman philosophy and drama, the great literary works, history , etc. Their study formed the foundation of a well-rounded education. However with the rise of the military-industrial society,and modern technical 'culture', study of humanities has declined in importance, and people at large have lost the connect with the classics. Only the specialist students and the  
diehard enthusiasts  still read the classics.

Antagonistic universities

In fact, the  attitude of mainline  academic institutions  in the West is antagonistic to the study of their own Classics. Under leftist and other modernist political- theoretical influences,which have invaded them, they are deprecating their classical literature,[ and devaluing their whole cultural heritage as the product of a dead white male superiority offensive.] This is supposed to be the "politically correct" stance. As Elizabeth Kantor notes:
"Enroll in an English class at an American university, and you might find yourself studying Marxist theory, or the history of ballet. You could be treated to an investigation of pornography through the ages. Or you might spend the semester watching foreign films. What is far too unlikely to happen is that you will be taught to understand and appreciate great literature in the English language.
"These days the English professors seem to be teaching anything and everything but classic English literature - from "gender theory" to Freud to "Latino/a popular culture." PC English professors are busy replacing the "dead white males"of the traditional literary canon with the authors of '80s bestsellers that hit all the politically correct themes. Departments of English are staffed by professors dedicated to suppressing English literature, not teaching it."


Cover of a book challenging the 'politically correct' attitudes.
Regnery Publishing, Inc.2006.




However, it is not without its challengers, but such challenge takes place largely outside the big universities where  thousands of students are indoctrinated in the current  official line year after year. Majority of the students do not have a proper exposure to the ideas of their own great men of letters. It is indeed strange that in a so called "free" country like the US, young minds are enslaved to some officially upheld theories and dogma in the name of education. It is unfortunate.

Value of great books

 A reviewer (Raymond Matthew Wray) of the  'Invitation To The Classics' noted:
.... the greatest benefactors of a great book curriculum will be the young. We should do our utmost, Socrates tells his interlocutors, that the first stories that they hear should be so composed as to bring the fairest lessons of virtue to their ears. Ironically, Socrates would have censored Homer's tales. Nevertheless, he understood the importance of introducing young students to right thinking. With the proper guidance, reading the primary texts allows for the student to engage the raw ideas on their own terms. What emerges are the critical thinking skills that give rise to the constituents needed in the formation of character, which is crucial both to citizenship and civility. However, there is something more important than citizenship and civility (dare we say it?): the state of the student's soul. Through reading, children can draw on the heritage of our progenitors and forge the framework of a virtuous life.
The great books provide a venue for us to explore the human experience without the risk of being all-too-human, to develop character through characters. They are the life we may never live; they are the people we may never meet. Through encounters with them we can engage the ideas we may never have. These are the forces that expand our inner world, making the world around us more meaningful. This is the experience students are being denied across the nation from colleges and universities. This is the very experience Louise Cowan and Os Guinness invite us to share. 
www.catholiceducation.org.1999
This sums up the matter well.

India: ignorance is bliss!

In India, we were spared the pain or pleasure of learning our classics by the colonial  education system imposed by Macaulay in 1836.  Indian traditional learning was bypassed, Indian subjects and themes were dropped, and youngsters were induced to take to the new system by the trick of linking English education with jobs! Even so, traditional systems prevailed in truncated forms in isolated pockets. During the course of our freedom struggle, all the national leaders were deeply attached to the national roots, though English had become the language of  communication among the educated. But the deeper maladies were not addressed: our national literature was neglected, our  history was distorted to suit the colonial powers, our children were made to learn not only English as a language, but English ideas, manners and alien history.
The problem became more acute after Independence. The idea of 'nation' came to be defined in the narrow political sense; political interests took over. The creation of linguistic states unleashed forces of provincial chauvinism based on language. The country has been divided by narrow linguistic walls. The central govt. is substituting Hindi imperialism for Macaulay's English imperialism. The cumulative result is that the idea of national culture has receded from the public consciousness.

Our educational system was taken over by leftist elements . The history of India is taught as interpreted by Marxists. The result very much resembles what prevails in the US: the tendency is to deny the value of our own sources and fields of knowledge,  deprecate the roots and fruits of our own civilization, decry or deny the greatness of our own heroes! The story of invaders- the Muslims and Europeans- is taught as the history of India! They are shown as our saviours and modernisers! Thanks to Macaulay, whose system still prevails in tact, our students are more exposed to English and foreign  literature and literary figures than to our own. But these are not taught systematically- it is like a patchwork quilt. They are out on a limbo- they neither master the foreign stuff nor learn about their own  achievements! They stand alienated from their own roots.


Great literature is more than literature!

In studying the great literature of the past, we learn more than the literature. We learn about life through the literature. We learn how life was lived, viewed and experienced by past generations. We learn of their achievements and failures, their problems and frustrations, their greatness and limitations. We acquire an attitude to life and its problems. We learn to look into ourselves and examine our motives, ideas, desires which are at the base of human action and reaction in all societies at all times.  All great literature propels us inward, to undertake the hardest of all enterprises- knowing ourselves!  It puts us in touch with ourselves. Great literature- "where courage and cowardice, love and hate, death and justice and joy, all spring to life through the words of great writers"   ( in the words of Prof. David Allen White), and through the actions of the characters- has a civilizing influence on us. No one who studies the great Greek epics- The Iliad and the Odyssey, or our own Itihasa - The Ramayana and The Mahabharata, can remain the same afterwards.When we read the ancient Greek philosophers or our own Upanishads and Darshanas, we are struck by the nature and magnitude of the questions they grappled with! And we also realise that in spite of the lapse of millennia, these questions are still with us! The reading of the epics reveals to us that human nature has hardly changed! Thus old, classical literature has proved timeless! After all, it is these same basic motives and themes that are still portrayed through movie and TV!




Great literature humanises us, elevates us, almost in spite of ourselves! 
William Faulkner said in his 1950 Nobel Prize acceptance speech:

I believe that man will not merely endure: he will prevail. He is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance. The poet's, the writer's duty is to write about these things. It is his privilege to help man endure by lifting his heart, by reminding him of the courage and honor and hope and pride and compassion and pity and sacrifice which have been the glory of his past.

Disservice by the universities

Our blasted modern universities are denying our youngsters opportunities to  learn  about those instincts and emotions, attitudes and ideas, forces of character and  courage that led their forebears  to face well or ill the problems of their times. Which problems are still with us ! Instead, the youngsters are taught pet and fancy theories which are here today, gone tomorrow, displaced by a newer fancy! They are all untried opinions "dispensing absinthe morality." Great literature, of all times and peoples, deals with the basic problems of the human condition- what it means to be human, and live in the world -and hence it is timeless.It is also 'borderless' in the sense that it touches some values which have universal validity, even if clothed in local colour, and expressed in local language.  No theories can take the place of the act of reading  and experiencing it for ourselves.
Modern writings provide momentary excitement, but little of lasting value. They tickle our senses but leave the soul untouched. They are well crafted, but there is little true art in them. Great literature of the past slows us down deliberately and thus calms us and exerts a sobering influence. It makes us pause and reflect.

Illiteracy- no bar to appreciation

In the pre-modern days, people were largely illiterate. But that did not stand in the way of their appreciating the great literary works of the past. Epics like The Iliad were recited, accompanied by music. Even in the 19th century England, there were large sections of people who were not literate. But we are told that as and when instalments of the novels of Charles Dickens came out, illiterate people gathered in the pubs to listen to their reading !  That is how the great works reached the common man. He did not have to go to a darned university to learn them.

 This is a tradition which still survives in India : our great Itihasas and puranas like the Bhagavatam are still recited , at times to huge audiences in North India.  The popular entertainment through cinema and now  the TV has killed many forms of indigenous cultural education and entertainment, but the tradition of oral recital of our great works continues.


Morari Bapu  addressing a  gathering in London on "Ram Katha"- August, 2017.

“Katha is not a religious gathering; it is a conversation about life.”

MORARI BAPU

Pedagogues  and politicians alike propagate literacy in the name of education but the products so raised usually end up reading nothing higher  than the newspaper, magazines and cheap fiction. This is the mark of what goes on in the name of mass education.

Printed book & its competitors

Since the invention of printing, learning has mainly been through printed books.This led to the spread of literacy. However, it  has not led to people reading great literature.
 Literacy is now computer literacy leading to "digital natives". Modern developments like e-books,  digital books, Kindle, tablets etc seek to displace the physical books. But researchers tell us that they are really no substitute for the experience of reading the physical book. A report in the Scientific American in 2013 said:


"...... evidence from laboratory experiments, polls and consumer reports indicates that modern screens and e-readers fail to adequately recreate certain tactile experiences of reading on paper that many people miss and, more importantly, prevent people from navigating long texts in an intuitive and satisfying way. In turn, such navigational difficulties may subtly inhibit reading comprehension. Compared with paper, screens may also drain more of our mental resources while we are reading and make it a little harder to remember what we read when we are done."
"In most cases, paper books have more obvious topography than onscreen text. An open paperback presents a reader with two clearly defined domains—the left and right pages—and a total of eight corners with which to orient oneself. A reader can focus on a single page of a paper book without losing sight of the whole text: one can see where the book begins and ends and where one page is in relation to those borders. One can even feel the thickness of the pages read in one hand and pages to be read in the other. Turning the pages of a paper book is like leaving one footprint after another on the trail—there's a rhythm to it and a visible record of how far one has traveled. All these features not only make text in a paper book easily navigable, they also make it easier to form a coherent mental map of the text."
[www.scientificamerican.com. Ferris Jabr. April 11, 2013]
There are really no substitutes for the physical book. 



Let us read the Classics

We usuallly read something or other- newspaper, magazines, etc. If we cut down on such frivolous reading, we will surely find time to read some classics- our own classics, too. Over the years, it will become a good habit. If we cut down on some spending in other areas, we can surely find money to buy our own books and can build a home library. While buying, we should avoid the temptation to buy 'mass market paperbacks'. They may be cheap, but they are cheap in quality also, and do not last.We have to buy more durable editions- in which the sections are stitched, not just glued. If we view books as life long investment, we will choose quality publications. In the metros, we usually get good used books at reasonable price.


 "The mind is not an empty vessel to be filled, but a fire to be kindled.”  
Plutarch, ancient historian.

Note:
As for the classics, it is better to buy an edition which contains introduction and notes. The introduction is usually provided by learned scholars who have devoted a lifetime to their study and reflection. The notes explain difficult terms and references which we cannot easily find in dictionaries. These enhance our pleasure and understanding. We may read them at our own pace, without external compulsions and pressures. We may discuss them with like-minded people - the 'conference' as said by Bacon! Thus will our real education begin and continue after we leave the blessed school or college!







Friday 24 November 2017

42.LOVE - LIGHT AND SERIOUS


42. LOVE - Light and Serious

Romance sparks creativity

Romance was the stuff of Hindi movies till the so called 'action' films (exhibiting naked, mindless violence) took over. Romance was captured in all its moods-from the sublime to the ridiculous, from hilarity to heart-breaks, from happy endings to stark tragedy, from the realistic to the fanciful. The theme was, on the whole, treated in a dignified manner.( though people were not wanting who glamorized the not so licit.) 
This created great opportunities for wonderful music.Our lyricists wrote sublime songs to suit each mood; our great music directors composed nice tunes to capture the mood. The singers sang them soulfully or gaily, as the situation warranted. The songs in those days hardly lasted three minutes on the 78 rpm records, but the mood and memory they created have remained with us! We still hum those tunes, recall  those words!
 Those were the days we had only Radio Ceylon to listen to,[Vividh Bharati was no match even when it came, run by government morons], and we addicts of film music spent nearly 4-5 hours  every day listening to the radio.

Life was leisurely, had not acquired the maddening pace; we led simple lives, were easily contented with what we had, pleased with the native charms; studies were not burdensome, and we did not have much of the gloss of modern distractions; music filled our heart and led us to dream! Realities of life  caught up with us only later, but the joy of youthful dream inspired by the music did not leave or fade entirely. Some things were beyond our grasp, but not our reach!

 I think Wordsworth captured that mood well, though in a different context:







Oh! pleasant exercise of hope and joy! 
For mighty were the auxiliars which then stood 
Upon our side, we who were strong in love! 
Bliss was it in that dawn to be alive, 
But to be young was very heaven!

[Auxiliar = help]
Picture: National Portrait Gallery, London.




Vague dreams  and vain hopes!

Our poets came up with nice songs to depict the many moods and some of them have stayed with us, in spite of the passage of years. When we look at the lyrics, it does not matter who is the actor and how the song was picturised. In fact, we did/could not see many of those movies, but only heard the songs on the radio. We were not bombarded with the  unbearable visuals through a hundred channels on the TV. We heard the songs: only the melody, meaning and the voice quality registered with us! They are still with us, despite the passage of decades.
Let us see some of the songs here.



Song: Ye dil na hota bechara
Film: Jewel Thief 1967
Music: S.D.Burman
Lyrics: Majrooh Sultanpuri
Singer: Kishore Kumar
Right:Kishore& Dada Burman


ये दिल ना होता बेचारा
कदम न होते आवारा
जो खूबसूरत कोई अपना हमसफ़र होता
ये दिल न होता...

Ye dil na hota bechaara
Kadam na hote awara
Jo khubsurat koyi apna hamsafar hota
Ye dil....

This heart would not have been poor,
These steps would not be those of a wanderer,
If someone beautiful had been my companion, 
travelling with me!

अरे सुना, जब से ज़माने हैं बहार के
हम भी आये हैं राही बन के प्यार के
कोई न कोई तो बुलायेगा
खड़े हैं हम भी राहों में
ये दिल न होता...

Arey suna, jab se zamane hai(n) bahar ke
Hum bhi aaye hai(n) raahi ban ke pyar ke
Koyi na koyi to bulaayaega
Kade hai(n) hum bhi raaho(n) mein
Ye dil.......

Oh, the spring season arrived long ago
I have also become a traveller on the path of love!
Eventually, someone will call me!
I will keep waiting on the way!


अरे माना उसको नहीं मैं पहचानता
बंदा उसका पता भी नहीं जानता
मिलना लिखा है तो आयेगा
खड़े हैं हम भी राहों में
ये दिल ना होता...

Arey maana usko nahi mai(n) pehchaanta
Banda uska patha bhi nahi  jaanta
Milna likha hai to aayaega
Kade hai(n) hum bhi raaho(n) mein

Oh, I agree that I do not know her!
Dear, I do not know her whereabouts!
If it is written that we should meet,
she will surely come!
I will wait on the way!


अरे उसकी धुन में पड़ेगा दुख झेलना
सीखा हमने भी पत्थरों से खेलना
सूरत कभी तो दिखायेगा
पड़े हैं हम भी राहों में
ये दिल ना होता...

Arey uski dhun mei(n) padaega dukh jhaelna
Seekha humnae bhi paththaro(n) sey khaelna
Surat kabhi to dikhaayaega
Pade hai(n) hum bhi raaho(n) mein
Ye dil na hota bechara.....

May be I will have to suffer looking out for her!
But then, I  know too how to deal with stone hearts!
She will surely show her face some time!
I am waiting on the way!

Oh, this heart would not have been poor.....


Well, this is just a shot in the dark! Wishful thinking, fancy dreams, so nicely captured in words! Take time to dream, it is hitching your wagon to a star, says an old song. Most of us would only dare dream, those days! What if it does not materialise?

Pearls or tears ?

Song: Hum dum se gaye
Film: Manzil, 1960
Music: S.D.Burman
Lyrics: Majrooh Sultanpuri
Singer: Manna Dey
Right: Burman&Manna Dey.

[ I could not get a decent  full Hindi version, so I am only giving the English version.]

Hum dum se gaye hum dum ke liye
Hum dum ki kasam hum dum na mila

Earnestly I sought a companion
I swear on my life
I did not find one!

Phir bhi keh ja tu apna afsana
Saathi miljayega na rukh jaana
O dil teri kali, abhi tho na khili
Abhi wo mausam na mila

Still, go ahead and tell your story!
Surely you will find a companion. Do not stop.
Oh, the bud of your heart has not blossomed yet'
For the season is not yet come!

Aye dil chamka tu apne daago ko
Roshan kiye ja bujhe chirago ko
Tu gaaye ja meri jaan, 
Ye duniya hai yahan
Kisi ko murham na mila

O heart, paint your miseries (forget them)
Keep lighting the extinguished lamps
Keep singing your song.
This world is such a place where-
no one yet found real consolation.

Moti na mile tho ashk bharna hai
Daman bharna teri tamanna hai
Tho pyare tujhe kushi, agar na mili
Tho gam kuch kum na mila.

You have not got the pearls (you sought)
Then, gather the tears!
For it is your desire to accumulate (something)
Even if you have not found happiness,
You have gathered enough sorrow!

I earnestly sought a soulmate, I did not get.

Here, the poet is cautioning against wild dreams, and vague hopes. This  is beautifully brought out in another song.

Not a rosy path!

Song: Mohabbat ki raaho(n) mein
Film: Uran Khatola 1955
Music: Naushad
Lyrics: Shakeel Badayuni
Singer: Rafi
Right: Naushad, Rafi & Shakeel
Photo:www.sunbyanyname.com
This is in raag Jaijaivanti.


मोहब्बत की राहों में चलना संभल के
यहां जो भी आया गया हाथ मॉल के
मोहब्बत की राहों में चलना संभल के
Mohabbat ki raaho(n) mein chalna sambhal ke
Yaha(n) jo bhi aaya gaya haath maal ke
Mohabbat ki raaho(n) mein ......

Walk cautiously on the path of love
Whoever entered this path has gone regretting
Be cautious on the path of love.


न पाई किसी ने मुहब्बत की मज़िल
कदम डगमगाए ज़रा दूर चल के
मोहब्बत की राहों में चलना संभल के
Na paayee kisi ne mohabbat ki manzil
Kadam dagmagaaye zara duur chal ke
Mohabbat ki raaho(n) mein.....

No one has reached the destination of love
On the way, their feet got trembling.
Be cautious on the path of love.


हमें ढूंढती है बहारों की दुनिया
कहाँ आ गए हम चमन से निकल के
मोहब्बत की राहों में चलना संभल के
Hame(n) duundthi hai baharo(n) ki duniya
Kahaa(n) aagaye  hum chaman se nikal ke
Mohabbat ki raaho(n)....

Searching for the world of beauty,
See where we have come, leaving the garden!
Be cautious on the path of love

कही टूट जाए न हसरत भरे दिल
न यूँ तिर फेको निषाना बदल के
मोहब्बत की राहों में चलना संभल के
मोहब्बत की राहों में.

Kahi toot jaaye na hazrat bhara dil
Na yoon teer faeko nishaana badal ke
Mohabbat ki raaho(n) mein.....

Take care. lest the heart full of desires should be broken.
There is no point in shooting at a changed target..
Be cautious on the path of love.

The poet is actually cautioning here that true love is difficult to find. It is not what romantic novels and films seek to portray and lead people astray. True love is a commitment to life, it is a sacrifice, no less.

Love - only for the young?



Mainstram cinema being a commercially oriented medium,there are limitations to the extent or degree of artistic impulse or refinement it will take or tolerate. Being a visual medium, the emphasis is on  show, and not necessarily substance. This is especially so after movies started donning colour- often garish and crude.
 The filmi style celebrates love only in certain modes - eg. as between physically attractive youngsters-, and that is also encased in standard formulas. Mature love is hardly depicted. Conjugal love is not much celebrated, except in the old 'family' dramas, with contrived situations. As if people do not love after marriage! Young love may end in marriage, but these days, marriage ends love! But the 50s and early 60s were different, even in films! However, there are not many songs depicting love in marriage! We have just one gem!




Song: Aye meri zohra Jabeen
Film: Waqt 1965
Music: Ravi
Lyrics: Sahir Ludhianvi
Singer: Manna Dey
Right: Ravi.
Picture credit:YouTube





एह मेरी जोहरा-जबी, तुझे मालुम नही
तू अभी तक है हसी और मै जवान
तुझपे कुर्बान मेरी जान मेरी जान
एह मेरी जोहरा-जबी
Aye meri zohra-jabeen, tujhe maalum nahi
Tu abhi taq hai hasin aur main jawan
Tujpe Qurbaan meri jaan, meri jaan

Oh my beautiful one! You do not know
That you are still lovely, that I am still young!
I would sacrifice my life for you!


ये शोखिया ये बचपन,
जो तुझ मे है कही नही
दिलो को जीतने का फेन, जो तुझ मे है कही नही
मै तेरी
मै तेरी आंखो मे पा गया दो जहा
एह मेरी जोहरा-जबी
Ye shokhiyaa ye bachpan
Jo tujh mein hai kahi nahi
Dilo ko jeetne ka faen, jo tujh mein hai kahi nahi
Main teri aankho se paa gaya do jahaa
Aye meri zohra-jabeen

The coyness, this attractiveness you have-
that is nowhere else.
You have the art of winning hearts-
that is nowhere else.
I have found my heaven and earth in your eyes!


तू मीठे बोल जान-ए-मन,
जो मुस्कुराके बोल दे
तो धध्कानो मे आज भी,
शराबी रंग घोल दे
ओह सनम
ओह सनम मै तेरा आशिक-ए-जाविदा
एह मेरी जोहरा-जबी
Tu meethe bol jaan-e-man
Jo muskurake bol de
Tho dhadkano(n) mein aaj bhi
Sharabi rang dhol de
Oh sanam
Oh sanam main tera  aashiq-e-jaavida
Aye meri zohra-jabeen

If you speak sweet words and smile,
You intoxicate me, my heartbeat gains colour
Oh darling, I am yours for ever!

[Zohra-jabeen is a very beautiful expression, 
meaning, in essence, 'like Venus'. ]

This is an exceptional song! Sung by a family man, just past middle age, with growing children! It is extraordinary because it is not in the Indian tradition to formally exchange or express love in words among elders , or openly in front of others!
[ Nor do we praise our own children in public!] There are so may other ways of showing love or appreciation! There are many ways to express gratitude than saying a formal 'thank you'.  But this is cinema, and somethings have to be dramatised! So this nice song with beautiful lyrics. This song has been so popular in the North for half a century, it is sung or played in every wedding!

This also breaks the myth that love can only be among the young! This shows the higher dimensions of love, as people mature. Real love blossoms as infatuation fades!




Left: World's oldest couple- with combined age of 211!
They have been married for 90 years! Karam Chand and Kartari-they live in Bradford, England.
Photo credit: MailOnline, 25 November,2014.





Love and Milton!

It was some surprise when I found  John Milton  celebrating mature love! Some of the loftiest and most refined expressions of true love we find in Milton! 


John Milton. Wikimedia Commons.


Milton is not a romantic poet. In his grand epic Paradise Lost are two passages of outstanding beauty depicting true love. Which is far different from the popular notions.







Neither her outside formed so fair, nor aught
In procreation, common to all kinds
(Though higher of genial bed by far,
And with mysterious reverence, I deem),
So much delights me as those graceful acts,
Those thousand decencies, that daily flow
From all her words and actions, mixed with love

And sweet compliance, which declare unfeigned
Union of mind, or in us both one soul
Harmony to behold in wedded pair
More grateful than harmonious sound to the ear.



(
Paradise Lost Book
 VIII.596-604)

This was of course at the beginning of history. Here Adam is talking of Eve. Thus love here is married love. Those days  the wife was expected to simply comply with the wishes of the husband. But the beauty is, here Adam is talking  not of physical beauty but of ' those graceful acts and the thousand decencies' that daily flow out of Eve. These are  indicative of the union of mind,  one soul. [One wonders though, what Eve would have felt!]

But Adam surpasses himself. He finds that Eve has eaten the forbidden fruit. He knows the consequences. Yet, instead of cursing Eve,  he declares his love for her.

How art thou lost, how on a sudden lost,
Defaced, deflowered, and now to death devote?
Rather, how hast thou yielded to trangress
The strict forbiddance, how to violate
The sacred fruit forbidden? Some cursed fraud
Of enemy hath beguilded thee, yet unknown,
And me with thee hath ruined; for with thee
Certain my resolution is to die;
How can I live without thee, how forgo
Thy sweet converse, and love so dearly joined
,
To live again in these wild woods forlorn?
Should God create another Eve, and I
Another rib afford, yet loss of thee

Would never from my heart; no, no, I feel
The link of nature draw me: flesh of flesh,
Bone of my bone thou art, and from thy state
Mine never shall be parted, bliss or woe.



(
Paradise Lost Book IX.900-916)


And true to his word, when they are finally expelled from Paradise, they walk hand in hand! They fall from Paradise in love!

Some natural tears they drop'd, but wiped them soon;
The world was all before them, where to choose
Their place of rest, and providence their guide;
They hand in hand with wandring steps and slow,
Through Eden took their solitaire way.

[Paradise Lost, Book XII, 645-649]

This is extraordinary , almost cinematic conclusion to the great epic poem! That Adam and Eve are expelled from The Garden, and they walk together, hand in hand, facing their future in an unknown world! Just imagine the scene! This was indeed revolutionary in the age in which Milton wrote!

Note:
Ironically, Milton supported divorce and even polygamy under some circumstances!
It may be said that all these songs and poems are from the male perspective! What to do? All the poets have been males, and the characters expressing them in movie or literature have been males! Even when the lady characters sing their songs, they are written by male poets! It would be interesting really to know how lady poets would sing in such situations!
There is a quality in these old songs and poetry that the new ones  lack. I recall a poem by Thomas Hardy.

ANY LITTLE OLD SONG

Any little old song
   Will do for me,
Tell it of joys gone long,
   Or joys to be,
Or friendly faces best
   Loved to see.

Newest themes I want not
   On subtle strings,
And for thrillings pant not
   That new song brings;
I only need the homelist
   Of heartstirrings.